In The Embodied Mind, we presented the idea of cognition as enaction as an alternative to the view of cognition as representation. By “representation” we meant a structure inside the cognitive system that has meaning by virtue of its corresponding to objects, properties, or states of affairs in the outside …
At the end of my first post, I said that when I reread The Embodied Mind now, I can’t help but see it as limited by several shortcomings, ones that have become increasingly apparent over the years and that need to be left behind in order to advance the book’s …
Thanks to John Schwenkler and The Brains Blog for giving me this space to write about the new, revised edition of my book, The Embodied Mind: Cognitive Science and Human Experience, co-authored with neuroscientist Francisco J. Varela (1946-2001) and psychologist Eleanor Rosch. The MIT Press first published the book in …
How should we explain ‘what it is like’ to perceive colour? One of the reasons why naïve realist theories of colour are interesting is that they promise to contribute towards a solution to the problem of consciousness. There is something puzzling about the way that problems about consciousness and conscious …
One of the reasons why philosophical discussions of colour are interesting and important is that they bear on a number of wider philosophical questions. In today’s post I want to introduce some meta-philosophical questions about the nature of philosophical inquiry that philosophical discussions of colour help to bring into focus. …
The second main claim made by the naïve realist is that colours are distinct from the physical properties of objects. In saying that colours are distinct from the physical properties of objects, the naïve realist is not necessarily saying that are ‘perfectly simple’ properties whose nature cannot be described further; …
According to the naïve realist, colours are mind-independent properties of objects that are distinct from their physical properties. In today’s post I outline the argument for the first part of the view: the claim that colours are mind-independent. To say that colours are mind-independent properties is to say that their …
